Every night at 1:37 in McKinley, the lights in the hallways went out. It took me a long time to learn that, but that’s because I hadn’t stayed up late enough times to notice. When I did stay up late, I noticed the lights go out, which caused me to glance at the clock on my computer, but my mind automatically discarded that information as irrelevant. It was a random time after all. But after noticing it on five or six occasions, the numbers 1:37 in the corner of my screen became familiar, and it dawned on me that the lights turned off at the exact same time every night. “Why would that be?” I wondered. “Someone had to program it that way—why would they pick such a weird time? Why not just 1:30 or 2:00?”
On this particular night, that silent signal—the falling of darkness in the crack of my door—almost imperceptible as it was, served as my alarm. It was time to go. I was already dressed in as much black as I could find—but not so much as to draw attention to myself when I walked out the door—so there was nothing left for me to do but make the leap.
Truth be told, I had never been outside that late in Saint-Michael. I didn’t realize how empty the streets would be, but it made sense. SMU sat up against downtown Saint-Michael, which was almost purely a financial district. People who lived in the suburbs commuted there for work, and after 7 or so the only people you could hope to encounter were the hobos who had nowhere else to go. By 1:37 in the morning, though, even the hobos had settled down for the night in their bus shelters and ditches, leaving downtown Saint-Michael a pitch-black ghost town.
I was nervous, huffing and puffing uncontrollably as I half-jogged. I felt like I was going too slow, taking too long, but I didn’t want to be that weirdo running in long pants and a sweatshirt when it wasn’t even cold outside. Jack had warned me not to draw attention to myself.
My breath floated in little spurts ahead of me, teasing me. I imagined that the buildings around me were full of people, their ears pressed against the outside walls, wondering why my heart was thumping so loudly.
At the corner of State and Washington, just ahead, there was a pudgy figure loitering, standing still. The man was smoking a cigarette, watching me approach. “Shit,” I thought. I had hoped to remain unseen. But I let out a silent sigh of relief when I realized it was Jack standing there.
“I didn’t know you smoked,” I said. It seemed so unlike the overly health-conscious Jack I knew.
“First of all, shut up. Second of all, it’s fake.” He flicked it out of his hand and, sure enough, it wasn’t burning.
“But why?” I asked.
“Let’s go.”
We walked together in silence for what felt like an hour, but it couldn’t have been that long. I walked behind Jack, struggling to match his pace. His gaze was in the air, scanning the rooftops, but that didn’t stop him from navigating expertly. We zigzagged among the city blocks until I wasn’t quite sure where we were.
Eventually, Jack stopped and turned to me. “Here we are,” he said, gesturing toward a grand expanse of brick in front of us. “We have to work fast,” he said.
He pulled a crumpled scrap of paper from his pocket and handed it to me. “This is what you’re doing,” he said. I recognized the drawing immediately: It was a rendering of the exhausted devil from the front of the red book, only instead of a pointed trident, he was carrying a staff with a dollar sign capital.
“It’s your first time, so it won’t be pretty,” Jack said. “But there’s nothing like it.” He handed me an aerosol can like a silent assassin.
“Shake first,” he said with a wink. “Hard, because there’s a magnet holding the ball.” I shook as hard as I could, holding the magnet in place at the bottom of the can. There wasn’t a sound, other than my worried breathing, to disturb the night.
The first spurt was the most shocking. The paint, expanding eagerly after being impossibly condensed for so long, lapped up all the air it could manage, and it burned the inside of my nose. The smell made me a little light-headed, but it egged me on.
As I drew, the spurts of paint like stolen whispers, I looked back and forth between the wall and paper, trying my best to make the design look exactly right. I’d never done any art before and I was nervous, but I kept going—if for no other reason than I didn’t know how to stop.
I was terrified. Spray-painting on someone else’s wall, that was the worst thing I’d done in my life. I’d always been such a good kid, so naive, always playing by the rules. Actually, you might have said I was just lame. I never drank alcohol in high school, never tried drugs, never shoplifted or smoked cigarettes or did any of the other things kids were supposed to do. Tonight I was terrified, but it was a rush.
“Oh fucking shit,” Jack said. He stopped painting and frantically began packing up, and I heard what he heard: sirens. “Fuck, fuck, fuck,” he said. “We need to get the hell out of here.”
“But it’s an ambulance,” I said. The pattern was unmistakeable. At least I thought…
“Where there’s smoke, there’s fire,” said Jack. “Don’t care if it’s Mother Fucking Theresa coming down on a cotton candy unicorn—we need to move—the—fuck—now.” He grabbed the can from my hand and I stuffed the paper in my pocket as he pulled my collar. “Now!”
The walls around us glittered in red and blue, and the sirens got louder. There were police after all, I noticed, but it was too late. They were after us.
“Someone—must—have—tipped,” Jack started between breaths. We were running as fast as we could, Mercury wings sprouting from our shoes. When we turned, the lights followed.
“What happens to people who get caught doing graffiti?” I wondered. It couldn’t be that bad; it wasn’t like we were killing people. But still, it was illegal. Would there be jail time? Fines? Would the judge decide to make an example out of us? Would my parents find out? What would Glo think?
Suddenly my vision went white, and I couldn’t feel my body.